Bekool brings you Cassiamusik
2026.02.04 - Balatonica
Cassiamusik is coming to Balatonica Podium on behalf of Bekool Records. Expect a carefully curated DJ set balancing deep rhythms, subtle tension, and smooth progression. This is a journey designed for listeners who appreciate detail and atmosphere.
Cassiamusik's musical influence comes from artists like Sam Gellaitry, Great Dane, Mr. Carmack, who for him at the time were very experimental artists; they are genres different from house but he still keeps them as a source of inspiration. Next month he'll be releasing his EP "Flowers in the sky" under the Light Music Side label. It's a collection of songs he made a while ago, maybe two years ago. It's an organic house EP featuring some of his earliest musical compositions, which is why it's so dear to him. This June he'll be part of The Soundgarden Summer Compilation with a very interesting track he made a while back; it's one of those songs that marks one's musical career, definitely one of his best projects so far. This year he'll be focusing more on club music and experimenting with some sounds he already has in mind to develop several upcoming projects. He's grateful to the Bekool family for their support and for allowing him to be a part of it; it's always a pleasure for both him and us to share what he does.
Many listeners describe your music as immersive and introspective. What kind of listening experience do you imagine when you're producing a track?
Every time I produce music, I like to enjoy the sounds I use. I like to experience the feeling each sound produces in me, and when I experience something interesting, I use it in the song.
Costa Rica has a very distinctive natural atmosphere. Has your environment influenced the textures and ambient elements in your music?
Absolutely, I live surrounded by nature and I've learned to listen to it. If you listen deeply, you realize that even the sound of a bird can inspire a melody or a rhythm. Sometimes I record ambient sounds and use them in songs, like in Everflow.
Your single "Reverie (2025)" continues your exploration of melodic landscapes. What emotions or ideas were you hoping to evoke with this track?
Developing Reverie was a creative process that I really enjoyed. It all started with a dub skank I had in mind. My intention was to make a song with a catchy rhythm and an interesting drop that could contribute to the dancefloor. In the breakdown, there's a melodic part that evokes happiness for me, and it was fun to get to the drop from that part.
The "Conga Diskopad EP (2025)" blends rhythmic elements with atmospheric tones. How did you balance groove and ambience across the EP?
The idea behind this EP was to give more prominence to the rhythmic work. The intention was to change things up a bit and give the percussive part the necessary space without it getting lost amidst all the melodic and atmospheric elements. It's important to give space and prominence to all the elements throughout the song.
Collaboration can either disrupt or deepen an artist's voice. What did working with Domingo + Loveclub on "Beyond the Sky" reveal to you about your own sound?
Working with other artists is a very important part of the process and will always help you grow a lot more. Domingo + Loveclub are artists I admire a lot for their elegant way of producing music. Working with them helped me better understand that my sound can become stronger if we leave space for each element, since the remix has a very catchy and good groove.
If your music were a place rather than a genre, what kind of landscape would it be, and what would you hope listeners leave behind when they enter it?
It's a place where they can leave behind the weight of everyday life, a place where emotions arise on their own without the need to understand them.
When your music travels to a new audience, like listeners in Hungary, do you imagine how it might be heard, or do you prefer to let it find its own meaning?
I prefer that it finds its own meaning; my vision of musical art is the same as a painting, the work can be interpreted in different ways, that is why for me a musical work can travel around the world and have its own meaning according to the ears and emotions of the spectator.
Looking ahead, are there emotions, themes, or sonic territories you feel drawn to but haven't explored yet?
Definitely yes, in fact I've been on a bit of a break as I've been exploring new sounds. I want to take my music to a more abstract version of myself; I'd like to express through music that there are strange sounds that can also be beautiful.
